Ugh, I have had the worst writer's block as far as reviewing the following three movies. All I can say is that it's good this isn't my day job or I would have been fired. (Sigh). If you think this is a pre-excuse excuse, you are correct. Anyhoo, here we go.
10/8/16 Seven Samurai, 1954
10/9/16 The Magnificent Seven, 1960, Nation Film Registry
9/27/16 The Magnificent Seven, 2016, not yet nominated
On my recent trip home (not so recent now), I saw The Magnificent Seven,
directed by Antoine Fuqua and starring Denzel Washington, Chris Pratt,
Ethan Hawke and others, with my brother. This led to the discussion that
there were two earlier movies based on a similar premise (well, one WAS
the original, and then the other the first remake).
The premise for all three films is that a town or village in Japan, Mexico or the Old West is under siege from a gang, and the townspeople set out to find the men who will fight for them. It's not like you go to Target and go down the row that has mercenaries or guns for hire. If it was that easy, they wouldn't have made three movies about it. The original movie in this collection is Seven Samurai, directed by Akira Kurosawa, was really the first movie to employ the concept of assembling a collection of (usually men) from different backgrounds and circumstances to fight a common cause. Seven Samurau is set in the 16th century and is about a small village fighting to keep their crop, and they try to hire seven ronin for this purpose. Kurosawa spends a lot of time following the process of finding the right men, giving us a look into their potential motives for joining this possible deadly endeavor, the conflicts they experience before the real fight even starts. It gives us a depth that is lacking in the subsequent films, especially the newest one. Seven Samurai is not as reliant on fancy gun tricks or special effects as the other films, again, especially the latest. The seven samurai had less than 40 men to fight, whereas it seemed that there were hundreds in the 2016 film. Seven Samurai is over three hours old, and it may take a while to get into the rhythm of the subtitles and the pacing, but it is such an influential film, that it is well worth the effort.
The Magnificent Seven (1960), directed by John Sturges and starring Yul Brynner, Steve McQueen, Robert Vaughn, Charles Bronson, James Coburn and Horst Buchholz and Brad Dexter are the seven of the title. There is some resemblance to the inspirational characters of Seven Samurai, but finding the cast of characters isn't quite as detailed. Yul Brynner as Chris Adams is the leader of motley crew. Eli Wallach is most unlikable as the leader of the bandits, Calvera. I would have liked to learn more about the characters, because I really liked them, this one of my favorite casts. I have seen this movie three or four times. Charles Bronson was in another of my favorite 'motley crew' movies, The Dirty Dozen. I don't have a whole lot of insight to add (see above disclaimer), except that I like this movie and if you're looking for a good western, dip into this for a couple of hours. I should also mention that the score, by Elmer Bernstein, should be familiar to you because it is used frequently (including in the 2016 film). It's a great collection of actors with some good action with an underlying them of redemption (this is true for all three films).
The Magnificent Seven (2016) directed by Antoine Fuqua (Training Day) is an action explosion, pun intended, featuring a lot ammunition and explosives. In this version, a small mining town out West is being tormented by a sadistic industrialist, Bartholomew Bogue (sounds like a Marvel bad guy) played with great gusto by Peter Sarsgaard. A young widow sets out to find someone to help fight Bogue's impending destruction of the town and finds Sam Chisholm, a warrant officer (Denzel Washington), who is pretty handy with a gun. He reluctantly agrees, and begins collecting his team of six, including sharpshooters, warriors, and knife-throwing expert. The men in the 2016 version represent a diverse assembly - including a Korean, Billy Rocks (Lee Byung-hun); Vasquez (Manuel Garcia-Rulfo), a Mexican outlaw; Red Harvest (Martin Sensmeier), a Comanche Indian; Jack Horne (Vincent D'Onofrio), a mountain man who has fought Indians; Robicheaux (Ethan Hawke), a veteran of the Confederate army. Chris Pratt rounds out the group as Joshua Faraday, a gambler. As Chisholm and crew try to prepare the town, they involve the townspeople, trying to help them shoot and also prepare some great surprises. There is a lot I liked about the movie: I did like the action, there are some great scenes as Bogue's men come in for the attack; I liked the different characters, although not as much as I did in the 1960 version. There is something quirky about D'Onofrio's character, he has a weird voice/speech pattern and you're not sure if he is mentally challenged, has had a brain injury or if he is from some part of the country where they speak like that, or perhaps he has been so isolated that he hasn't spoken very much. It's jolting at first, but he grows on you. The knife-wielding Billy Rocks is an artist with the assortment of weapons he has, he's also funny and the care-taker to Robicheaux who has a dependence on cannabis.Red Harvest doesn't have many lines, he gives the impression that he doesn't speak English, but he lets his actions speak for him. He has been cast-out from his tribe, and I may have missed it, but I don't think it's clear why. I had some issue with the endless number of men that Bogue seemed to have available to him, it was like the endless soup and salad at Olive Garden. Then he rolls out a Gatling gun, which is a huge game changer, and yet, the outcome is not what was expected. I read a review (which I try not to do) and it wasn't very favorable, citing the lack of character depth as one issue. I get that, especially after seeing how Kurosawa handled introducing the men to us, and I would have liked to have more understanding on Chisholm's motivation (if I had to pick), and we get little hints, but not much more until the end of the movie. But I guess the reason I still give this a thumb's up is it was entertaining. Pure and simple. I'm pretty sure Denzel Washington has not been in a bad movie; Chris Pratt is his wise-cracking self (my brother thought this was suppose to be a comedy); D'Onofrio is special as always; I could actually tolerate Ethan Hawke; and it was nice to see some new actors (to many of us) hanging out with the veterans, and very ably. I would suggest making a weekend of it and watching all three and make the comparison yourself.
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