Documentaries: Maya Lin, Inocente, Anne Frank Remembered, The Thin Blue Line

12/14/16 Maya Lin: A strong clear vision, Best Documentary, 1994

If you are old enough to remember when the Vietnam Veterans Memorial was commissioned and created, you may recall the controversy around it. It was created by a very young woman, of Chinese parentage and was in stark contrast to what most people thought a memorial should be. If anyone was up to these challenges, sometimes very insulting and aggressive dissension, it was Maya Lin. Maya Lin was a young student when she entered a contest to find the design for a memorial to the veterans of the Vietnam War. She designed a memorial of long walls with the names of those men and women killed in the war etched into it in chronological order. The walls are sunk into the ground. Having been there, I can attest to the powerful feeling I had as a citizen; the documentary shows veterans being overwhelmed by their emotions and memories. In the documentary, Lin is interviewed about her though process for the design of the memorial, explaining her decisions from the order of the names, to the positioning of the walls to why the memorial is sunken below ground. The film allows the viewer insight into her other works, the Civil Rights Memorial in Montgomery, Alabama, Women's Table at Yale University (her alma mater). While Lin is well-spoken in the film sharing her visual ideas, and passionate about her visions, she seems very uncomfortable when receiving accolades or presenting her work to an audience. She believes that the work should be the focus, whether it is the memories of Vietnam for the veterans, or the participants of the Civil Rights Movement, it is the work and the viewers' interpretations that are important. If people are moved, then she has done her job. The movie spends the most time on the Vietnam Veterans Memorial, the controversy of Lin's selection, the reaction of the veterans, as well as Lin's insights; it also follows her as she works on newer pieces, in her home state of Ohio, as well as throughout the United States. It was very interesting to watch her work, especially because I have wondered how large pieces get done, it's not just the artist, that's for sure. Maya Lin recently received the Presidential Medal of  Freedom by President Obama. She is an American treasure and I totally recommend watching this documentary.

12/16/16 Letter from an Unknown Woman, 1948, #48 BBC, National Film Registry

So many thoughts went through my head as I watched Letter from an Unknown Woman, starring Joan Fontaine (Rebecca) and Louis Jourdan (Gigi), co-produced by John Houseman and directed by Max Ophuls. One thought was, why I have never heard of this movie? Two, how come Hollywood has not remade it (a Chinese remake was done in the early 2000s)? And three, not that receiving an Oscar, or being nominated, means a movie is great, how did this movie not get nominated for any Oscars? Set in the early 20th century, Joan Fontaine is Lisa, a Viennese teenager who lives in the same apartment building as Stefan Brand (Jourdan), a concert pianist. Brand really doesn't notice Lisa, but she is completely smitten with him, and moons after him, ignoring and neglecting everything else. Her mother remarries, and the family moves to Linz, against Lisa's wishes. In Linz, Lisa is wooed by Johann, a young soldier, and both families have hopes of wedding bells, except for Lisa. She upsets that applecart and runs back to Vienna, hoping to find Stefan again. They do meet, but although Stefan is immediately smitten by her, he does not recall Lisa from the apartment building. They spend the entire night together, and Stefan promises more evenings and days and dinners together, except he forgot he had to leave on tour for two weeks. He also left Lisa with a permanent reminder of their night together, a child. In our 21st century world, that is probably not shocking or scandalous, but in the early 1900s, that was a pretty big deal, and having this as a significant plot point in the 1940s would also be outrageous (perhaps that is why there were no Oscar nominations?). Whether through luck, brains, guile or something else, Lisa and her child are not thrown into destitution, and she eventually reconnects with Johann, who has moved up in the military and is quite successful, and he is also forgiving of her past, to a point. I liked the movie, and when I tried to watch it as someone would back in 1948, I thought it was groundbreaking; I thought Lisa was unrealistic and she annoyed me (as a character), but I did like Joan Fontaine, and Louis Jourdan was handsome, dashing and a bit of a rogue. It's not necessarily a date night movie (or perhaps it is, I'm not the best judge), but if you are looking for something different from 'the usual', give this a try, if you can find it.

12/17/16 Anne Frank Remembered, Best Documentary, 1995

The Diary of Anne Frank was a dramatized telling of the Frank family's time in hiding in Amsterdam. Anne Frank Remembered is more about Anne as she grew up, her friends who knew her as a little girl, family friends, including Miep Gies, the woman who worked for Otto Frank, helped set them up in the attic and found Anne's diary after the family was captured by the Nazis. We get a look at how her friends saw Anne and her sister Margot; Margot was serious and studious, while Anne was mischievous, spoiled (some said), argumentative, and as several of her friends said, a regular teenager. The documentary begins before the Second World War, even before Anne was born, with the Frank family living in Germany, through their move to The Netherlands, trying to escape the rising anti-Semitism in Germany. I really enjoyed this documentary, especially for the fact that it does not try and paint Anne as a saint, she's a teenager, a young girl, who has arguments with her parents and other adults. She is eminently relatable to other teenagers, whether those who read her story in the 1950s or the 2000s. We hear from her friends who survived the camps, who knew Anne and her sister in their last days. I strongly recommend watching this documentary, with your kids, with a group of friends. It's important that Anne's story, and the story of her friends and family, not be forgotten, especially today.

12/17/16 Inocente, Best Documentary Short, 2012

It has been a real challenge trying to balance, fun and entertaining movies, with educational and enlightening films that may be a bit heavy and sad. Inocente is a little bit of everything, all packed into forty minutes. Inocente Izucar is a young, homeless girl living in San Diego with her mother and two brothers. She finds solace and relief in her art, starting the day by creating wearable art on her face. Inocente and her family have been homeless for many years, never staying in one place for more than three months. She's ashamed to let her classmates know that she is homeless, so she doesn't tell them. Inocente goes to ARTS (A Reason To Survive) in San Diego where she finds mentors and encouragement to pursue her painting. I think it is so easy to look down on the homeless, or undocumented workers and blame them for their circumstance, but a child (Inocente is 15 at the time of filming, but she has been living under these conditions for most of her life) has very little say in their conditions. As Inocente says, nobody wakes up and says they want to be homeless. She blames herself for the violent explosion of her father, which is a very common (and misplaced) sentiment from kids. But she doesn't use being homeless as an excuse, she uses it to propel her forward, and as inspiration in her art. Her art is colorful, hopeful, but also thoughtful and thought-provoking. I cried, I smiled, I learned. I think you may do the same.

12/17/16 The Thin Blue Line, 1988, National Film Registry

I've been learning more about our justice system (it's broken) and about men and women sentenced to life in prison or death sentences and that it's not always about proof or evidence or the pursuit of truth. I suggest reading Just Mercy by attorney and advocate Bryan Stevenson and the novel A Lesson Before Dying by Ernest Gaines, which while fiction is a fair representation of the legal system and the noblesse oblige of life in the South in the 1940s. This may seem like a digression, but it's not really. The Thin Blue Line is a documentary by Errol Morris about Randall Dale Adams and his sentence, first of death, later commuted to life in prison; the conviction was later overturned. Adams was wrongly convicted of killing a police officer after the police relied on evidence from a sixteen year old young man who had picked up Adams after his car ran out of gas; David Ray Harris later confessed to the shooting. The police also relied on 'eye witness' testimony by people who turned out later to not be very reliable, and in fact, may have been more interested in the reward money than helping solve crime. Eye witness testimony has been demonstrated to be highly unreliable under most circumstances. Morris interviews Adams in a Texas prison, who emphatically denied his guilt. He also interviewed Harris in prison; while Adams is angry about his situation, Harris seemed to me not to really care, admitting his past bad behaviors (although not immediately to killing the police officer). Adams's original defense attorneys are interviewed, as well as the judge, detectives and the witnesses who testified against Adams. The movie was released in 1988 and Adams's conviction was overturned in 1989; Harris was not charged with the death of the Dallas police officer. Neither Adams nor Morris could know the conviction would be overturned when the film was being made (Morris did not want it labeled a 'documentary'). The Thin Blue Line has informed and influenced many later documentaries, which is reflected in its place on the National Film Registry.